In Coralie Fargeat's new feminist horror film The Substance, damaging social appeal criteria are actually the real monsters. They (women objectification, the disposal of "the aged," the spreading of a market built on body system alteration) nourish a monster of a cycle that leads Demi Moore's fading TV individuality https://conway-twittyupdate.homewikia.com/10923148/margaret_qualley_the_substance